Program Description
(Program not available for streaming.) NOVA scienceNOW talks to the engineers behind Auto-Tune, the pitch-correction software that turns sour notes into sweet ones. Professional musicians from Madonna to Snoop Dogg use Auto-Tune, but can the software turn host Neil deGrasse Tyson into a singing star?
Mar 28, 2013 It is coming off and I am getting something that a HD dealer will be willing to service or has the knowledge to work on. I feel that the “Auto tune” feature is misleading as you still have to go in on a laptop and do the auto tune yourself as well as the timing adjustments. No person to person talks and everything is via email. Jun 18, 2010 Christina Aguilera Talks About New Love For Auto-Tune. Just listen to her Regis and Kelly ‘Not Myself Tonight’ performance, she was clearly rested and her larynx was moisturised and she. Jul 05, 2012 Category Music; Suggested by SME Christina Aguilera - Not Myself Tonight (Official Video) Song Not Myself Tonight; Artist Christina Aguilera. Auto tune your voice in an instant with our 'voice modifier for singing' and have the best of times playing these 'singing games free'! For Singing Voice Changer has an autotune microphone. Free Auto-Tune Demo downloads, free Harmony Engine Demo downloads plus free demo downloads for other Antares vocal plug-ins via the free AVOX Demo download. All product demos require an iLok USB key and an iLok account. Jun 04, 2015 'Not Myself Tonight' shipped to radio March 30, earning most-added honors at top 40 and rhythm in its first week on the air. 'Oh, my God, I forgot that she doesn't need Auto-Tune!'
Transcript
Auto-Tune
PBS Airdate: June 30, 2009
NEILDeGRASSE TYSON: 'Ourlove was like a supernova,'
Yeah,I sing.
'In the nebula of my soul.'
Okay,I'm not great.
'But now I find her heart is like a bigblack hole.'
Allright, I'm terrible. But here's what I'm wondering: if, digitally, you canremove red-eye, smooth over wrinkles, make people look thinner, then why don'twe have the technology to make me sing better?
ANDYHILDEBRAND (Antares Audio Technologies): We can fix Neil.
NEILDeGRASSE TYSON: This guy invented away to do it.
ANDYHILDEBRAND: We can fix Neil's pitch. He'sstill going to sound like Neil, though.
NEILDeGRASSE TYSON: Electrical engineerand inventor Andy Hildebrand designs pitch-correction software. He calls itAuto-Tune.
'Pitchcorrection?' Is that a euphemism for 'fixing bad singers?'
ANDYHILDEBRAND: Yes, we fix bad singers.
NEILDeGRASSE TYSON: I visited Andy atAntares Audio Technologies in Scotts Valley California, where he and engineerJustin Malo...
JUSTINMALO: Hey,Neil.
NEILDeGRASSE TYSON: ...showed me how itworks.
Hummmmmmmmmm.
ANDYHILDEBRAND: Great. There you go. You didthat.
NEILDeGRASSE TYSON: That wavy line representsthe exact frequency of my voice. This line shows where a perfect A should be,so, not too bad.
ANDYHILDEBRAND: He's right dead nuts on in tune.Look at that.
NEILDeGRASSE TYSON: So how does acomputer know that?
ANDYHILDEBRAND: When you hear A, you'rehearing 440 vibrations per second.
NEILDeGRASSE TYSON: So somebody at thebeginning of time said 440 vibrations per second is an A?
ANDYHILDEBRAND: A.
NEILDeGRASSE TYSON: So, if you sing orplay a pitch at 440 cycles per second, the computer calls it an A and it restson this line. B-flat would go on the line above it, G-sharp below, and so on.
'Butnow I find her heart...'
Whenyou're out of tune, the notes don't fall so neatly onto the lines of the grid.
'...big...'
That'sawful.
'...blackhole.'
ANDYHILDEBRAND: Well, it's creative, it'screative. Okay.
NEILDeGRASSE TYSON: '...supernova...'
Thoselines are me singing the word 'super.'
'supernova...'
Mypitch is all over the place. If anything, it's closest to this note, here.
JUSTINMALO: Neil,you sang an F, which normally is okay, if you're in the key of F. And we're not,so we moved your F to an E.
NEILDeGRASSE TYSON: 'Supernova...'
SoJustin gently nudges it down to where an E would be.
'Supernova...'
You'rechanging the frequency of the sound that came out of my vocal cords.
JUSTINMALO: Actually,yes.
ALVINAND THE CHIPMUNKS (Audio recording):'Christmas, Christmas...'
NEILDeGRASSE TYSON:Changingpitch isn't new. You can change someone's voice by fast forwarding on a taperecorder, but you'd sound like...
ALVINAND THE CHIPMUNKS (Audio recording):'Christmas, Christmas time ishere.'
NEILDeGRASSE TYSON: ...well, achipmunk.
Pitchcorrection software lets you change the pitch...
'Supernova...'
...whilekeeping the essential tone of a voice the same.
Andso, although few engineers are willing to admit it, pitch correction software,like Auto-Tune, has become an indispensable tool in most recording studios.
ANDYHILDEBRAND: It's been used by a lot ofpeople: Madonna...
MADONNA (Film clip): 'Music makes the bourgeoisie...'
NEILDeGRASSE TYSON: ...Celine Dion...
CELINEDION (Film clip): 'You got one heart you are following...'
NEILDeGRASSE TYSON: Reba McEntire usesit live?
REBAMcENTIRE (Film clip): 'Starting over again...'
NEILDeGRASSE TYSON: You're telling me asinger can sing into a microphone a bad note, and out the speakers comes a goodnote?
ANDYHILDEBRAND: Yes.
NEILDeGRASSE TYSON: Now, that's evil.
ANDYHILDEBRAND: To modify something isn'tnecessarily evil. My wife wears makeup. Is that evil?
Isthat okay, honey?
NEILDeGRASSE TYSON: Evil or not, therecording industry kept Auto-Tune on the down-low.
ANDYHILDEBRAND: The secret popped out of thebag when Cher did 'Believe.'
CHER(Film clip): 'Do you believe in lifeafter love?'
ANDYHILDEBRAND: I couldn't believe it.
CHER(Film clip): '...aside and I can't breakthrough...'
NEILDeGRASSE TYSON: Rather thangradually and naturally reaching up to each note...
CHER(Film clip): 'I can feel somethinginside me say...'
NEILDeGRASSE TYSON: ...like this,Cher's producer forced Auto-Tune to jump suddenly from one pitch to the next.
CHER(Film clip): 'I feel something inside mesay...'
NEILDeGRASSE TYSON: Is this some knobthat you turn?
ANDYHILDEBRAND: Yes.
NEILDeGRASSE TYSON: All right.
ANDYHILDEBRAND: And we can turn this knob tozero, which means 'move instantaneously to the new pitch.' And so, if we dothat, your voice would sound like this.
NEILDeGRASSE TYSON: 'But nowI find her heart...'
Didyou plan for people to use it that way?
ANDYHILDEBRAND: No. I didn't think anybody intheir right mind would ever use it that way.
NEILDeGRASSE TYSON: Well a lot ofartists do.
T-PAIN(Film clip): 'She got me doing the dishes
Anything she want for some kisses'
OJO(Film clip): 'I wasyoung and in love...'
SNOOPDOG (Film clip): 'She might be with him but she's thinkin' boutme, me, me.'
NEILDeGRASSE TYSON: But it's mostlyused to tweak out-of-tune performances—a kind of cosmetic surgery.
'...bigblack hole.'
Inmy case though, more like triple-bypass.
ANDYHILDEBRAND: Try to change this to the keyof C.
NEILDeGRASSE TYSON: Moving the tracesof my voice up in pitch or down...
'...supernova...'
...Justincoaxes me into tune.
'Supernova
ofmy soul...'
Ittook several hours.
'...ofmy soul...'
Howwell did it work? You be the judge.
'Ourlove was like a supernova
Inthe nebula of my soul, but now I find
Not Myself Tonight Auto Tune Free
herheart is like a big black hole...'
JUSTINMALO: It'sa lot more pleasing.
NEILDeGRASSE TYSON: I thought the firstone sounded pretty good myself, I don't know.
Kiddingaside, there's no substitute for training or talent.
ANDYHILDEBRAND: If the singer doesn't have agood tonality to their voice, we're not going to make that better.
Dous a favor. Don't go on American Idol.
Broadcast Credits
Auto-Tune
- Produced and Edited by
- Vincent Liota
Not Myself Tonight Auto Tune Chords
NOVA scienceNOW
- Executive Producer
- Samuel Fine
- Executive Editor
- Neil deGrasse Tyson
- Senior Series Producer
- Vincent Liota
- Senior Producer
- Julia Cort
- Supervising Producers
- Stephen Sweigart
Joey David Jovanovich - Senior Editor and Colorist
- David Chmura
- Senior Researcher
- Sharon Kay
- Associate Producer
- Fran Laks
- Assistant Editor
- Tung-Jen (Sunny) Chiang
- Graphic Design
- Brian Edgerton
- Compositor & Animator
- Yunsik Noh
- Music
- Rob Morsberger
- Sound Mix
- Bill Cavanaugh, RazorMix, Inc.
- Assistant to Neil deGrasse Tyson
- Elizabeth Stachow
- NOVA scienceNOW Series Animation
- Edgeworx
- Associate Producers
- Julie Crawford
Jonathan Loewald
Richard Marnell
Laura Willcox - Camera
- Austin de Besche
Brian Dowley
Robin Hirsh
Stephen Kazmierski
Rob Lyall - Sound Recordists
- John Cameron
James Lindsey
Len Schmitz
Chris Strollo - Animation and Graphics
- Anthony Kraus
Sputnik Animation
James LaPlante
Dan Nutu - Researchers
- Ethan Herberman
Eric Olson - ArchivalMaterial
- AP Worldwide Photos
BBC Motion Gallery
CNN Image Source
Corbis
The Frederick News-Post and Randall Family, LLC
Getty Images
Josh Landis
National Science Foundation
NASA
Prelinger Internet Archives
The San Diego Union-Tribune
Schenectady Museum & Suits-Bueche Planetarium
Steven Snyder
WTC: The First 24 Hours, Producers; Etienne Sauret & David Carrara - Special Thanks
- Jason Bannan, FBI microbiologist
Carnegie Mellon University
Dave and Busters
Gemological Institute of America
Justin Goger Malo
George Gray, Gray Jewelers
Susan Hrishenko
Northern Arizona University
David Rasko
Sandia National Laboratories
University of Maryland School of Medicine - Neil deGrasse Tyson
- is director of the Hayden Planetarium in theRose Center for Earth and Space at the American Museum of Natural History.
- NOVA Series Graphics
- yU + co.
- NOVA Theme Music
- Walter Werzowa
John Luker
Musikvergnuegen,Inc. - Additional NOVA Theme Music
- Ray Loring
Rob Morsberger - Post Production Online Editor
- Spencer Gentry
- Closed Captioning
- The Caption Center
- NOVA Administrator
- Mykim Dang
- Publicity
- Carole McFall
Eileen Campion
Victoria Louie
Karinna Sjo-Gaber
Karen Laverty - Marketing
- Steve Sears
- Researcher
- Kate Becker
- Senior Researcher
- Gaia Remerowski
- Production Coordinator
- Linda Callahan
- Paralegal
- Sarah Erlandson
- Talent Relations
- Scott Kardel, Esq.
Janice Flood - Legal Counsel
- Susan Rosen
- Production Assistant
- Ryan Murdock
- Post Production Assistant
- Darcy Forlenza
- AssociateProducer, Post Production
- Patrick Carey
- Post Production Supervisor
- Regina O'Toole
- Post Production Editors
- Rebecca Nieto
Jason York - Post Production Manager
- Nathan Gunner
- Compliance Manager
- Linzy Emery
- Development Producer
- Pamela Rosenstein
- Business Manager
- Joseph P. Tracy
- Senior Producer and Project Director
- Lisa Mirowitz
- Coordinating Producer
- Laurie Cahalane
- Senior Science Editor
- Evan Hadingham
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- Melanie Wallace
- Managing Director
- Alan Ritsko
- Senior Executive Producer
- Paula S. Apsell
This material is based upon worksupported by the National Science Foundation under Grant No. 0638931. Anyopinions, findings, and conclusions or recommendations expressed in thismaterial are those of the author(s) and do not necessarily reflect the views ofthe National Science Foundation.
NOVA scienceNOW is a trademark of the WGBH Educational Foundation
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© 2009 WGBH Educational Foundation
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- (Neil deGrasse Tyson singing) Courtesy T. Robin Hirsh
Participants
- Andy Hildebrand
- Antares Audio Technologies www.antarestech.com/
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